three hundred days

by Isabella Marriott

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credits

released July 21, 2016

Ranging in genre from lush pop-rock ballads, to gritty uptempo electric folk, the album is a thematic exploration of world-wariness, and isolation, with a glimmer of practical optimism. Marriott’s vocals run the gamut from lamenting croons, to womanly, sustained declarations. Her keyboard work lays down a solid foundation of arpeggios, and a bed of harmony for her backing band to amplify and highlight. Crunchy guitars combine with imaginative and melodic bass lines, rich brass, and a supportive, classic kit backbone. The title track is a crescendo of pent-up emotion, culminating in an epic final chorus. The song “Gypsy Girl” serves as a sermon to ward off young women from disrespectful males. Perhaps the most narrative of the collection, “All of Our Dreams” tells the story of a Bushwick burglary, and the damage it leaves behind. “How Pretty You’ve Become” is a sneering, strongly-pulsed alternative rock whirlwind. A rockabilly attitude is adopted for “Little Darling,” about a baby girl with an alcoholic father, claiming “he chose the bottle over her”. “Next to Me” is a simply structured, infectious love song, in a rolling 6/8 format. The album is rounded out with “Memory is Fluid” a slow, sweeping dramatic song, where the ensemble squeezes out every last drop of heavy-laden sentiment. Simultaneously released with the album is Marriott’s “The Moment Before” music video, in grainy, raw, black and white, examining the sometimes fine line between temptation and destruction.

All songs written by Isabella Marriott
Engineered by Gian Stone at Stone Recording
Mastered by Ryan Smith at Sterling Sound
Album Artwork and Design by Lizzie Cuthbertson

Isabella Marriott- lead vocals, keyboard
Erik Bagger- guitar
Paul Harlan- bass, vocals
Richard Marriott- trombone
Angelina Marriott- vocals (next to me)

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about

Isabella Marriott Brooklyn, New York

The Brooklyn-based singer-songwriter and her band came together in early 2014, adding a rock sound to her lyrically driven style. Even with the added instruments, her intimate and personal voice is still very much a defining characteristic of their new music together. ... more

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